<?xml version='1.0' encoding='UTF-8'?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/'><id>tag:blogger.com,1999:blog-12050487</id><updated>2008-08-30T12:17:04.986Z</updated><title type='text'>x jazz reviews</title><subtitle type='html'>instant online reviews from selected reviewers around the world contributing to the x-bout community</subtitle><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/jazz/'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default'/><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://www.x-bout.com/review/jazz/atom.xml'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>13</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-12050487.post-117170907488187020</id><published>2007-02-17T10:44:00.000Z</published><updated>2007-02-17T10:44:34.906Z</updated><title type='text'>test post 07</title><summary type='text'>still our favourite review spot: http://www.jazzreview.com/ </summary><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/jazz/2007/02/test-post-07.html' title='test post 07'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=12050487&amp;postID=117170907488187020&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.x-bout.com/review/jazz/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/117170907488187020'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/117170907488187020'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-12050487.post-115499889708643318</id><published>2006-08-08T00:57:00.000Z</published><updated>2006-08-08T01:01:37.090Z</updated><title type='text'>Jazz Grammy Nominees 2006</title><summary type='text'>Jazz Grammy Nominees 2006 (post restored from February 2006)

The nominations for Jazz Grammy awards is once again showing a strong field from micro-labels and indies. A sign that technology is helping balance the power of the majors... Remember Maria Schmeider in 2005? 


JAZZ   Category 45 - Best Contemporary Jazz Album 
(For  albums containing 51% or more playing time of INSTRUMENTAL  tracks.)</summary><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/jazz/2006/08/jazz-grammy-nominees-2006.html' title='Jazz Grammy Nominees 2006'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=12050487&amp;postID=115499889708643318&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.x-bout.com/review/jazz/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/115499889708643318'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/115499889708643318'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-12050487.post-113138601400629443</id><published>2005-11-07T16:29:00.000Z</published><updated>2006-01-27T16:14:47.113Z</updated><title type='text'>A Night at the Crypt</title><summary type='text'>Kevin Davy has been leading his quartet for the best part of a decade, the often changing line up creating it's own challenges. On a blustery Autumn evening I ventured to Camberwell's cosily underground jazz venue, The Crypt, to see Davy and his present line up perform a set of mostly original numbers. One wonders why KDQ have not pushed through the glass ceiling of mid size venues and short </summary><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/jazz/2005/11/night-at-crypt.html' title='A Night at the Crypt'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=12050487&amp;postID=113138601400629443&amp;isPopup=true' title='1 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.x-bout.com/review/jazz/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/113138601400629443'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/113138601400629443'/><author><name>Naomi</name><uri>http://www.blogger.com/profile/04495995382777115988</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-12050487.post-113094056720397843</id><published>2005-11-02T13:59:00.001Z</published><updated>2008-08-30T12:17:05.036Z</updated><title type='text'>Herbie Hancock: Speak Like a Child</title><summary type='text'>
Label: Blue Note
Title: Speak Like a Child
Original Release 1968, this edition 2005   &lt;!--[if !supportEmptyParas]--&gt;    &lt;!--[if !supportEmptyParas]--&gt; &lt;!--[endif]--&gt;   First thing to say about Herbie Hancock’s second album for Blue Note as a band leader is buy! Same goes for his first (Maiden Voyage).    &lt;!--[if !supportEmptyParas]--&gt; &lt;!--[endif]--&gt;   Otherwise, we've only really commented on </summary><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/jazz/2005/11/herbie-hancock-speak-like-child.html' title='Herbie Hancock: Speak Like a Child'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=12050487&amp;postID=113094056720397843&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.x-bout.com/review/jazz/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/113094056720397843'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/113094056720397843'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-12050487.post-113019967447207086</id><published>2005-10-25T00:12:00.000Z</published><updated>2005-10-25T00:26:38.620Z</updated><title type='text'>Farewell, Shirley Horn</title><summary type='text'>It takes a genius to know a genius, so when Miles Davis picked up a small label release called "Embers and Ashes" in 1961 he knew he was onto something. In fact he loved and played it so much that his children could sing along to it. The album was by a young Washington DC pianist called Shirley Horn and Miles managed to convince her to open for him at the Village Vanguard. The rest would have </summary><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/jazz/2005/10/farewell-shirley-horn.html' title='Farewell, Shirley Horn'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=12050487&amp;postID=113019967447207086&amp;isPopup=true' title='1 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.x-bout.com/review/jazz/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/113019967447207086'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/113019967447207086'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-12050487.post-113011274747868344</id><published>2005-10-23T23:57:00.000Z</published><updated>2005-10-24T00:13:59.416Z</updated><title type='text'>Mike Phillips - Uncommon Denominator</title><summary type='text'>
Track By Track Review:

 Track 1. Once Again Mike Phillips (Interlude)    The album opens with a simple but catchy bassline on this track, the horn creeps in with a lovely tone and you’re right in there with Mike Phillips. The voice saying “Mike Phillips” is a little bit annoying though!   &lt;!--[if !supportEmptyParas]--&gt; &lt;!--[endif]--&gt;   Track 2. Uncommon Denominator    The sound of the fender </summary><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/jazz/2005/10/mike-phillips-uncommon-denominator.html' title='Mike Phillips - Uncommon Denominator'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=12050487&amp;postID=113011274747868344&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.x-bout.com/review/jazz/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/113011274747868344'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/113011274747868344'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-12050487.post-112454257414775432</id><published>2005-08-20T12:56:00.000Z</published><updated>2005-08-20T12:58:52.803Z</updated><title type='text'>Farewell to Two Amazing Bass Players</title><summary type='text'> Two amazing jazz bassists recently passed away and we decided to share a little information on them; it's never too late to become a fan:   Detroit-born Al McKibbon, bassist on Miles Davis' legendary "Birth of the Cool," has died aged 89. McKibbon also worked with the fabled Jazz at the Philharmonic, and with Coleman Hawkins, Buck Clayton and Thelonious Monk. He played on Monk's last recording </summary><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/jazz/2005/08/farewell-to-two-amazing-bass-players.html' title='Farewell to Two Amazing Bass Players'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=12050487&amp;postID=112454257414775432&amp;isPopup=true' title='2 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.x-bout.com/review/jazz/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/112454257414775432'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/112454257414775432'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-12050487.post-112449830806959449</id><published>2005-08-20T00:26:00.000Z</published><updated>2005-08-20T00:38:28.076Z</updated><title type='text'>Dianne Reeves - The Calling</title><summary type='text'>Dianne Reeves’ primary gift is an extraordinary rich voice, but in addition to that she has a clarity and uniqueness of interpretation that makes her one of the most distinctive singers of our times. All these gifts are evident in abundance in The Calling, her tribute to Sarah Vaughan.

She saunters through the opening bars of Lullaby of Birdland as though it’s a childhood haunt she never forgot </summary><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/jazz/2005/08/dianne-reeves-calling.html' title='Dianne Reeves - The Calling'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=12050487&amp;postID=112449830806959449&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.x-bout.com/review/jazz/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/112449830806959449'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/112449830806959449'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-12050487.post-112380593322158490</id><published>2005-08-12T00:14:00.000Z</published><updated>2005-08-12T00:18:53.226Z</updated><title type='text'>Lizz Wright</title><summary type='text'>
She's only been around since 1993 but Lizz Wright already feels like a classic musician.              Her knack for writing and interpreting intensely personal songs make it difficult to place her anywhere but in the heart. It's not jazz, soul, blues or gospel - it's heart music.              Her “pitch-perfect, full-bodied voice” (NY Times) made her debut "Salt" an instant favourite of many </summary><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/jazz/2005/08/lizz-wright.html' title='Lizz Wright'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=12050487&amp;postID=112380593322158490&amp;isPopup=true' title='1 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.x-bout.com/review/jazz/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/112380593322158490'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/112380593322158490'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-12050487.post-111493838190777643</id><published>2005-05-01T09:06:00.000Z</published><updated>2005-05-01T09:10:00.326Z</updated><title type='text'>OPINION: jazz FM --&gt; smooth FM</title><summary type='text'>What we think: The content changed ages ago, and  that wasn't cool. It made all us real jazz heads have to keep unusual hours to  hear any real jazz on the station. Now, they're coming out of the camouflage of  the name; that makes it easier for us not to listen anymore and not feel like  we're deserting "JAZZ". Let's go to the BBC while we campaign to get a REAL jazz  station... Otherwise, if </summary><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/jazz/2005/05/opinion-jazz-fm-smooth-fm.html' title='OPINION: jazz FM --&gt; smooth FM'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=12050487&amp;postID=111493838190777643&amp;isPopup=true' title='8 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.x-bout.com/review/jazz/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/111493838190777643'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/111493838190777643'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-12050487.post-111312074204780836</id><published>2005-04-10T08:12:00.000Z</published><updated>2005-04-10T08:18:51.410Z</updated><title type='text'>Verve Remixed 3 (with Bonus Track &amp; Downloadable Booklet!) Exclusively at iTunes</title><summary type='text'>              &lt;!-- start unsubscribe instruction--&gt;            
  &lt;!-- end unsubscribe instruction--&gt;</summary><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/jazz/2005/04/verve-remixed-3-with-bonus-track.html' title='Verve Remixed 3 (with Bonus Track &amp; Downloadable Booklet!) Exclusively at iTunes'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=12050487&amp;postID=111312074204780836&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.x-bout.com/review/jazz/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/111312074204780836'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/111312074204780836'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-12050487.post-111312058919053630</id><published>2005-04-10T08:09:00.000Z</published><updated>2005-04-10T08:25:48.700Z</updated><title type='text'>News from Basin Street Records</title><summary type='text'> BASIN STREET RECORDS 2nd Annual New Orleans Music Festival in  CHICAGO (10pm show just added!)
BSR's 2nd Annual New Orleans Music Festival returns to the Old Town School of Folk Music in Chicago on April 16, 2005 featuring Kermit Ruffins and the Barbecue Swingers and  Dr. Michael White's Quartet. Click on www.oldtownschool.org or  www.ticketweb.com for details and get your tickets early.   The </summary><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/jazz/2005/04/news-from-basin-street-records.html' title='News from Basin Street Records'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=12050487&amp;postID=111312058919053630&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.x-bout.com/review/jazz/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/111312058919053630'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/111312058919053630'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-12050487.post-111308496886355628</id><published>2005-04-09T22:13:00.000Z</published><updated>2005-04-09T22:16:08.863Z</updated><title type='text'>Welcome to the new jazz instant review site</title><summary type='text'>Hi Jazz Lovers,

After 4 years we may have finally got it right! Thanks to Google's technology and the kindness of some young webcats, us jazz cats can now send instant reviews onto this site. If you want to get in on the action, please send an e-mail to reviews [at] x-bout [dot] com and we'll be happy to show you the way.

Thank you,
the jazz team
www.x-bout.com</summary><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/jazz/2005/04/welcome-to-new-jazz-instant-review.html' title='Welcome to the new jazz instant review site'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=12050487&amp;postID=111308496886355628&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.x-bout.com/review/jazz/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/111308496886355628'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12050487/posts/default/111308496886355628'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email></author></entry></feed>