<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' version='2.0'><channel><atom:id>tag:blogger.com,1999:blog-12052850</atom:id><lastBuildDate>Mon, 22 Jun 2009 04:29:47 +0000</lastBuildDate><title>x art reviews</title><description>reviews of exhibitions, shows and websites from art freaks</description><link>http://www.x-bout.com/review/art/</link><managingEditor>noreply@blogger.com (x_reviewer)</managingEditor><generator>Blogger</generator><openSearch:totalResults>5</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-12052850.post-115247160480558628</guid><pubDate>Sun, 09 Jul 2006 18:48:00 +0000</pubDate><atom:updated>2006-07-09T12:03:53.443-07:00</atom:updated><title>Kandinsky: The Path to Abstraction</title><atom:summary type='text'>Tate Modern, 22nd June to 1st October, 2006.Review by Graham Buchan.“I know of nothing more real than the painting of Kandinsky – nor anything more true and nothing more beautiful.” Diego Rivera.One of the most extraordinary journeys in the visual arts was the one undertaken by Wassily Kandinsky. In his 50-year career he changed from a painter of landscapes in an impressionist style to the </atom:summary><link>http://www.x-bout.com/review/art/2006/07/kandinsky-path-to-abstraction.html</link><author>noreply@blogger.com (x_reviewer)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-12052850.post-112967445836499831</guid><pubDate>Tue, 18 Oct 2005 22:27:00 +0000</pubDate><atom:updated>2005-10-19T10:37:23.666-07:00</atom:updated><title>Turner Prize Exhibition</title><atom:summary type='text'>      Tate Britain, October 18th 2005  – January 22nd 2006.    The Turner Prize will be awarded December 5th  2005.       It would be ironic if a piece of music helped to win this year’s Turner Prize, but I wouldn’t bet against it. Darren Almond’s video installation If I Had You has a wonderfully evocative piano piece by Richard James as accompaniment, and it perfectly supports the feelings of </atom:summary><link>http://www.x-bout.com/review/art/2005/10/turner-prize-exhibition.html</link><author>noreply@blogger.com (x_reviewer)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-12052850.post-112922637256485247</guid><pubDate>Thu, 13 Oct 2005 17:59:00 +0000</pubDate><atom:updated>2005-10-14T22:55:06.326-07:00</atom:updated><title>Rachel Whiteread</title><atom:summary type='text'>  The Unilever Series: Rachel Whiteread.  EMBANKMENT. Turbine Hall, Tate  Modern. 11 October 2005 – 2 April 2006.   Rachel  Whiteread is concerned with space. Primarily the spaces we use and inhabit,  hence her most famous work House – a true-size moulded reproduction of the interior of a London terraced house erected in a park in Mile End in 1993 (and which was, despite winning the Turner Prize,</atom:summary><link>http://www.x-bout.com/review/art/2005/10/rachel-whiteread.html</link><author>noreply@blogger.com (x_reviewer)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-12052850.post-111937593327093504</guid><pubDate>Tue, 21 Jun 2005 17:45:00 +0000</pubDate><atom:updated>2005-06-21T17:11:53.726-07:00</atom:updated><title>A Picture of Britain. Review by Graham Buchan</title><atom:summary type='text'> A Picture of Britain: Tate Britain until 4th  September 2005.    This image: Philip Wilson Steer.A Procession of Yachts (1892-3)Tate Image Below:Dora Carrington. Farm at Watendlath. 1921Presented by Noel Carrington, the artist's brother 1987Copyright: Tate London, 2005  This exhibition,  mounted in conjunction with a TV series, struggles to present its material  coherently. Britain is divided up</atom:summary><link>http://www.x-bout.com/review/art/2005/06/picture-of-britain-review-by-graham.html</link><author>noreply@blogger.com (x_reviewer)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>4</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-12052850.post-111632253060097803</guid><pubDate>Tue, 17 May 2005 09:35:00 +0000</pubDate><atom:updated>2005-06-09T14:09:22.966-07:00</atom:updated><title>Frida Kahlo at the Tate Modern: Review by Graham Buchan</title><atom:summary type='text'>Image credit:The Broken Column, 1944,.Oil on canvas; 400 x 307 mmMuseo Do lores Olmedo Patino, Mexico City© Banco de Mexico and INBAL, Mexico, 2005Frida Kahlo.   Tate Modern. Until 9 th October 2005.Review by Graham BuchanThis is an important exhibition of work by an artist who, partly due to the sympathetic bio-pic of a couple of years ago, has come to increasingly wide attention. Frida Kahlo </atom:summary><link>http://www.x-bout.com/review/art/2005/05/frida-kahlo-at-tate-modern-review-by.html</link><author>noreply@blogger.com (x_reviewer)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>3</thr:total></item></channel></rss>