<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss'><id>tag:blogger.com,1999:blog-12052850</id><updated>2009-06-21T21:29:47.772-07:00</updated><title type='text'>x art reviews</title><subtitle type='html'>reviews of exhibitions, shows and websites from art freaks</subtitle><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12052850/posts/default'/><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/art/'/><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://www.x-bout.com/review/art/atom.xml'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>5</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-12052850.post-115247160480558628</id><published>2006-07-09T11:48:00.000-07:00</published><updated>2006-07-09T12:03:53.443-07:00</updated><title type='text'>Kandinsky: The Path to Abstraction</title><summary type='text'>Tate Modern, 22nd June to 1st October, 2006.Review by Graham Buchan.“I know of nothing more real than the painting of Kandinsky – nor anything more true and nothing more beautiful.” Diego Rivera.One of the most extraordinary journeys in the visual arts was the one undertaken by Wassily Kandinsky. In his 50-year career he changed from a painter of landscapes in an impressionist style to the </summary><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/12052850/115247160480558628/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=12052850&amp;postID=115247160480558628&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12052850/posts/default/115247160480558628'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12052850/posts/default/115247160480558628'/><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/art/2006/07/kandinsky-path-to-abstraction.html' title='Kandinsky: The Path to Abstraction'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='06237154186470416076'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-12052850.post-112967445836499831</id><published>2005-10-18T15:27:00.000-07:00</published><updated>2005-10-19T10:37:23.666-07:00</updated><title type='text'>Turner Prize Exhibition</title><summary type='text'>      Tate Britain, October 18th 2005  – January 22nd 2006.    The Turner Prize will be awarded December 5th  2005.       It would be ironic if a piece of music helped to win this year’s Turner Prize, but I wouldn’t bet against it. Darren Almond’s video installation If I Had You has a wonderfully evocative piano piece by Richard James as accompaniment, and it perfectly supports the feelings of </summary><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/12052850/112967445836499831/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=12052850&amp;postID=112967445836499831&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12052850/posts/default/112967445836499831'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12052850/posts/default/112967445836499831'/><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/art/2005/10/turner-prize-exhibition.html' title='Turner Prize Exhibition'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='06237154186470416076'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-12052850.post-112922637256485247</id><published>2005-10-13T10:59:00.000-07:00</published><updated>2005-10-14T22:55:06.326-07:00</updated><title type='text'>Rachel Whiteread</title><summary type='text'>  The Unilever Series: Rachel Whiteread.  EMBANKMENT. Turbine Hall, Tate  Modern. 11 October 2005 – 2 April 2006.   Rachel  Whiteread is concerned with space. Primarily the spaces we use and inhabit,  hence her most famous work House – a true-size moulded reproduction of the interior of a London terraced house erected in a park in Mile End in 1993 (and which was, despite winning the Turner Prize,</summary><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/12052850/112922637256485247/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=12052850&amp;postID=112922637256485247&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12052850/posts/default/112922637256485247'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12052850/posts/default/112922637256485247'/><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/art/2005/10/rachel-whiteread.html' title='Rachel Whiteread'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='06237154186470416076'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-12052850.post-111937593327093504</id><published>2005-06-21T10:45:00.000-07:00</published><updated>2005-06-21T17:11:53.726-07:00</updated><title type='text'>A Picture of Britain. Review by Graham Buchan</title><summary type='text'> A Picture of Britain: Tate Britain until 4th  September 2005.    This image: Philip Wilson Steer.A Procession of Yachts (1892-3)Tate Image Below:Dora Carrington. Farm at Watendlath. 1921Presented by Noel Carrington, the artist's brother 1987Copyright: Tate London, 2005  This exhibition,  mounted in conjunction with a TV series, struggles to present its material  coherently. Britain is divided up</summary><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/12052850/111937593327093504/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=12052850&amp;postID=111937593327093504&amp;isPopup=true' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12052850/posts/default/111937593327093504'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12052850/posts/default/111937593327093504'/><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/art/2005/06/picture-of-britain-review-by-graham.html' title='A Picture of Britain. Review by Graham Buchan'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='06237154186470416076'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-12052850.post-111632253060097803</id><published>2005-05-17T02:35:00.000-07:00</published><updated>2005-06-09T14:09:22.966-07:00</updated><title type='text'>Frida Kahlo at the Tate Modern: Review by Graham Buchan</title><summary type='text'>Image credit:The Broken Column, 1944,.Oil on canvas; 400 x 307 mmMuseo Do lores Olmedo Patino, Mexico City© Banco de Mexico and INBAL, Mexico, 2005Frida Kahlo.   Tate Modern. Until 9 th October 2005.Review by Graham BuchanThis is an important exhibition of work by an artist who, partly due to the sympathetic bio-pic of a couple of years ago, has come to increasingly wide attention. Frida Kahlo </summary><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/12052850/111632253060097803/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=12052850&amp;postID=111632253060097803&amp;isPopup=true' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12052850/posts/default/111632253060097803'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12052850/posts/default/111632253060097803'/><link rel='alternate' type='text/html' href='http://www.x-bout.com/review/art/2005/05/frida-kahlo-at-tate-modern-review-by.html' title='Frida Kahlo at the Tate Modern: Review by Graham Buchan'/><author><name>x_reviewer</name><uri>http://www.blogger.com/profile/18099837797421886644</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='06237154186470416076'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>3</thr:total></entry></feed>